der berliner technoproduzent und substatic-label-eigner falko brocksieper ist fŸr seine sensiblen, verspielten technotracks bekannt. sein follow me-remix hat eine eigenwillige markante bassline mit leicht analogem touch. die kitbuilders liefern eine uptempo version von all about nach und kreuzen aktuelle bass-musik mit direct beat-artigen electro-pattern.

george evelyn präsentiert sein erstes album seit seinem umzug nach ibiza. der mann greift tief in die geschichte der black music und zaubert eine zeitgenössische, balearische vision aus motown-soul, disco, funk, reggae, dub, latin und trip-hop aus dem Ärmel, die - aufgenommen mit erstklassigen musikern - wie eine wiedergeburt wirkt.

auf dem album vermengt berman gekonnt die schnittstellen von electro, postpunk, new wave und disco. genau so wie es seine vorbilder aus dem alles-geht-new york der spŠten 70er vorgemacht haben!

welcome o the new compilation from >firence angel<.its been a eventful year, this is the fierce disco compilation incl. tracks by black magic disco, louis la roche, kris menace, inaya day allstars

two classic albums on one cd! the first coba gooding album love dancer. digitally remastered from original motown tapes!

acollection of rare soul & disco! compiled by paul phillips

proper heat ist eine exquisite allianz von drei musikern, die verrŸckt nach jazz, house, disco und elektronik sind. nach langem warten kommt nun ihr liebevoll gestaltetes debŸt album in diesem sommer, und es hei§t chapter one. nach drei sehr gut aufgenommen eps auf nang freuen wir uns dieses beeindruckende debŸt prŠsentieren zu dŸrfen. wie immer laidback, ist disco house das gebot der stunde, und dieses album ist bis zum rand damit gefŸllt.

die beiden de la soul rapper (plug 1/pos & plug 2/dave) prŠsentieren ihr projekt >first serve<, bei dem sie sich mit dem franzšsischen produzententeam 2 & 4 (aka chokolate & khalid) zusammengetan haben. das konzeptalbum erzŠhlt die geschichte ihrer alter egos deen whitter und jacob pop life barrow, zwei freunde aus queens/ny mit gro§en trŠumen und noch grš§eren skills. first serve spiegelt hip hop sound wieder, der gleichzeitig den euphorischen old school-, funkund disco-vibe der spŠten 1970er atmet und an den innovativen sound der new school aera erinnert.

james nice label von ltm recordings hat sich hier auf wiederveršffentlichungen einiger stŸcke von factory artists wie zb.lawie the durutti column und a certain ratio konzentriert. mit dabei das offen gestimmte instrumental ãmadeleineÒ von durutti column.von a certain ratio, einer der factory-bands schlechthin, gibt es das white-funk-zu-breakdance-zeiten-stŸck ãwild partyÒ sowie einen sich Ÿber fast zehn minuten erstreckenden mix von ãknife slits waterÒ

the most in party on the island for all those saturday night clubbers, this cd mixed by danny leblack and fran morin is an amazing example of just what the cafŽ ole fiesta is like. these 20 incredible house tracks will take your breath away. just go ahead and enjoy such sounds as eric morillo and eddie thoneick feat shawnee taylor, hitch, feygin, coco silco & santy lafonte, jairo catelo and many more!

for toro y mois chaz bundick, 2011 has seen the release of his acclaimed sophomore album, underneath the pine, remix work for tyler, the creator, a split 7 inch with cloud nothings, and a steady stream of international tour dates. just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer. bundicks latest is no sloppily assembled bunch of pine session throwaways. the freaking out ep was put to tape in june during a period of touring quiescence. the release finds bundick reveling in twenty minutes of boogie, roping in the heavy sounds of groups like the gap band and mtume. while the first two tracks are modern takes on the 80s post-disco vibe, -sweet- sounds like the product of a todd edwards and teddy riley collaboration, with smooth synths weaving in and out of meticulously chopped and arranged vocal samples. the new jack influence spills over into the cover of cherrelle and alexander oneills -saturday love-, in which a swingbeat carries along fluttering piano lines steeped in delay. the eps crown jewel, -i can get love-, sees bundick assimilating styles of each of his to-date releases, with the synthesized funk of causers of this, the irresistible hooks of pine, and dance alias les sins penchant for filter effects and house beats. full of energy and crafted with a conciseness that begs repeated listens, freaking out is toro y mois most concentrated venture into pure dance floor hedonism.

andy vazs straight vacationing, his first full-length artist album, since the 2006 release of repetitive moments last forever, registers as less a straight-up collection of dance-floor burners and more of a variety pack that mixes club tracks and full-fledged house songs. listeners hungry for just ordinary 4/4 throw-downs will not entirely get their share of those, but theyll also get a whole lot more on this dynamic and well-rounded set of eight album tracks and that is exploring house music not just as a simple one way street, but give you a very personal view of the music we call house. straight vacationing dives into the genre in all its rich variety: from deep melodic, early chicago influenced acid house, jacking-jedi mind tricks to disco-type grooves and last but not least excursions into bizzaro world, with a vaz typical almost psychedelic experimental-edged sound, its all there.

a brand new compilation featuring the a- and b-sides of all the bands chiswick singles. includes four tracks new to cd. when we recently came to re-press our long-standing the best of the damned, the pressing plant told us that, unfortunately, the films had been lost. rather than simply make a new set of films, we decided to make a completely new cd and so present you with the damned: the chiswick singles - and another thing... overseen by the producer of the bands chiswick releases, roger armstrong, the package comes with brand new high-end transfers from the original master tapes - the damned have never sounded better. an extensive trawl through box after box of saved material from that era means that the booklet features a lavishly illustrated package including rare photographs and tons of memorabilia.

after his slo-mo disco debut, the >terror island< 12 inch, pizzico records founding father billy bogus returns to nang with an eagerly awaited full length, named >night movie<. as the name suggests, this is one for the night crawlers. >night movie< is an exercise in twilight disco propulsion, rich with fuzz, funk, world sounds and sci-fi tendencies

2011 debut from penguin prison aka chris glover. this effort is quite simply the most smoothed-out, hook-heavy, unabashed lovers disco around. from the miraculous slices of shiny, infectious contemporary pop of multi-millionaire and -golden train-, to the single -fair warning-, shimmering with spectral synths and breathless, honey vocals, to the mellow and mysterious album closer -someone got everything-, penguin prisons debut effort rolls you through a sleek, melodic world where all you need to worry about is whether youve got your sunglasses on and the right moves to keep up.

wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.

for over a decade mark grusane & mike cole have been a vast music resource for djs, producers, collectors, rare music compilers, and specialty stores around the world. they started individually, each with their love of music. they traded and sold music with those -in the know- for years. in 2004 mark & mike focused their energies into founding mr. peabody records. the business plan and mission was to become a world class resource for all genres of obscure music. until now, their focus has been growing the shop. but the soul of mr. peabody records does not reside in the bricks and mortar the store, or even in the bins of records themselves. the real genius lies in mark & mikes unique ear for music.

its been a wild ride since back in march 2009 when the demo of sare havliceks white russian hit landed in our inbox. since then sare has gone onto be one of the scenes musical and dj bright spots. his debut >toscana nights< album in 2010 was warmly received by press and public alike and a series of remixes has firmly cemented him as one of the best nu disco producers around

the source material is varied and wide: 70s and 80s classics & tints from human league, rusty egan and space. cutting edge indy from hot chip, moshi moshis james yuill. underground house, disco and techno from baxendale, hiem, arj snoek and chelonis r jones. not forgetting jks take on some great songs by pocket and bozzwell. all threaded together in perfect tapestry. yes justus, you certainly are a master.

following on from our ludicrous but well-received sci-fi covers album >from the stars volume 1< in 2010 we thought it was time for a sequel. cue the hyper-driven >from the stars volume 2<, an album full of disco and synthy-themed cover versions from obscure and not-so-obscure science fiction. we must be out of our interstellar minds...

re-release des zweiten hochdekorierten album-klassikers -we are monster- von isolŽe! erstmalig neu remastered inklusive 3 bis dato auf cd unveršffentlichten stŸcken! -we are monster- fasziniert dank der suggestiven kraft, mit der isolŽe das ohr in den bann zieht. dieser sound ist nicht disco im klassischen sinne, sondern irgendeine mutation der klassischen disco und elementen aus dem 21. jahrhundert mit wunderschšnen, harmonischen und dennoch zerrissenen melodien, space-noises aus einer anderen galaxie, merkwŸrdigen basstšnen und durchsickernden drum-mustern. es geht viel weiter als reines disco, denn wŠhrend letztere musik auf die tanzflŠche zugeschnitten ist, stellt -we are monster- einen genialen soundtrack fŸr ein leben in der stadt dar, wie auch fŸr space-out-zeiten zuhause. bezaubernde musik von einem der ganz gro§en. unverzichtbar!

hercules and love affair Ð the name itself combines images of strength and vulnerability, masculinity and femininity, as well as a classic disco troupe. their music on their self-titled album debut followed suit. strident beats but sweetness at the core. music with a plan of attack but an identity as fluid as that of its creators. a gloriously burnished fusion of three decades of dance, from disco to house, acid to synth-pop, derrick may to giorgio moroder (and lets not forget yazoo), but sounding like no other dance record before Ð or since. and now theyve gone and done it again. the troupes second album blue songs represents the best that dance music can get Ð still bursting with freshness while in touch with its roots. as mainman andy butler says, >its a softer record in some ways, and at other moments a more aggressive record too.< the album also reveals more about his world and his songwriting, resulting in a more honest, and yet more universal, record

debut album from curv on vinyl vibes records ... after various successful 12inch releases on vinyl vibes, the label introduce their first artist album from curv. while in the past mixing organic and clubby elements, deeply rooted in soul and jazz, curv recently developed a stronger love for electronic music, splendidly reflected in this fantastic record. between here and nowhere is not just another electronic album as one might expect. it features a unique style of warm, analog sounding club music which makes perfect sense as a listening experience too. it would not be curv if jazz, funk and disco didnt feature, if he would not occationally mix the electronic beats with some natural sounding drums, the keyboards with some piano. but he is now putting all these things into an electronic context of house beats, naughty electro and even deep minimal. in between all of this you still find all those stunning little details that make his music curv-music in its very own & special way.

digging duo kon & amir occupy a select corner of the dj world, with radio, mix-cds, live sets and compilations on their radar. theirs is a slowly-but-steadily growing catlogue crammed with timeless releases: six volumes of their widely celebrated on track mixtape series, a highly regarded compilation

for lovers, collectors & followers of the cosmic space groove then check this heavy deep compilation by the voyeurer. super rare balearic classics, french disco oddities, deep boogie madness & far out eastern discoveries are here for the first time! these original gems are going for crazy prices right now on certain website stores and other titles are completely unknown and lovingly redited and by the voyeurer.

this mix precedes kelpes brand new studio album >cambio weschel<, which will be released in october 2009!

fetter deutsch-hip hop auf soulplex records!

this track has been a djs favourite for over 30 years.now juno released the lush layering of instruments and percussion track and it sounds great.now we have some edits which are added by some extra dancefloor elements while keeping the integrity of the original.

new! american gigolo mix by princess superstar! featuring tracks by m.i.a.,zombie nation,miss kittin,hell,fischerspooner,vitalic and many more

compiled by legendary producer arthur baker, “breakers revenge” is a near-definitive collection of original funk, soul, latin, disco and electro classic tracks from 1970-1984.

a gospel disco classic finally available on 7 inch vinyl.

limited tickled pink glass coloured double vinyl.

classic black double vinyl.

on 4x 180 gram ! 25th anniversary

reissue of this westbound 1976 funk classic in a limited edition of 400 copies on tangerine coloured 180 gram vinyl, housed in deluxe gatefold jacket with obi strip.

disco/dance

disco/funk

disco/funk

disco/funk

disco/funk

disco/funk

disco/funk

disco/funk